Reviews

The Leftovers as trans studies: it's Justin Theroux digging into the chest of Justin Theroux, and he's the most powerful man in the world. Or one of them is.
Kevin Garvey (Justin Theroux) reaches into the chest of his assassin twin brother (also played by Justin Theroux) in The Leftovers, season 3, episode 7, “The Most Powerful Man in the World (and His Identical Twin Brother)” (dir. Craig Zobel, 2014)

Praise for Personal Demons

“[Personal Demons is a] genius, devastating new book… Lavery is one of the greats. Few literary critics have conveyed such intellectual energy and integrity. I see Personal Demons everywhere. Has it taken hold of me?”

Jean-Thomas Tremblay
ASAP/Review

Praise for Personal Demons

“A thrilling and utterly original book. Propulsively readable; Lavery’s luminous prose carries us through a captivating archive to reveal the surprising centrality of the trope of transsexual demonic possession to contemporary debates over embodiment, consciousness, agency, and the possibility of shared reality. When liberal rights claims have so spectacularly failed to defend trans kids (or trans adults), we need this book and Grace Lavery’s singular voice.”

Ann Pellegrini
Coauthor of Gender Without Identity
A leaked handwritten note from a Scientology handbook. L. Ron Hubbard, The Technical Bulletins of Dianetics and Scientology
The face of Helen Lyle (Virginia Madsen) covered in bees in Candyman (dir. Bernard Rose, 1992)

Praise for Personal Demons

“Grace Lavery is a daring, daunting, and dazzling writer. In Personal Demons she offers an utterly mesmerizing account of how transsexual subjectivity challenges neoliberal reason. Lavery writes a captivating and archly critical voice, and reads with uncanny sensitivity to both generic genealogy and textual detail. This is essential, urgent reading for anyone inhabiting the death throes of liberalism.”

Bill Brown
Karla Scherer Distinguished Service Professor in American Culture, University of Chicago

Praise for Personal Demons

“Provocative… Lavery thrills with unexpected choices of inquiry—like the ‘sadism beyond sexuality’ of revenge tickle porn—and with her willingness to leap headfirst into controversial topics…”

Publishers Weekly
A still from a tickling film commissioned by David D’Amato. From Tickled (dir. David Farrier and Dylan Reeve, 2016)
Trans _Memes_for_ SadBeings, “I Might Look Like a Guy but I Want to Die.” Instagram, Sept. 8, 2018

Praise for Pleasure & Efficacy

“Lavery demonstrates complete mastery of the essay form while disavowing mastery itself. Prepare to be vexed, outraged, seduced, and entertained. Prepare to enter an alternate reality with Lavery as your charming guide.”

Jack Halberstam
Author of The Queer Art of Failure and Wild Things: The Disorder of Desire

Praise for Closures

“[Lavery] demonstrates what a masterful literary critic can do with the flimsy and the abject.”

Isabel Bartholomew
Los Angeles Review of Books
Mary Tyler Moore, playing Laura Petrie in The Dick Van Dyke Show, surfs down a wave of walnuts
Dermatologists HATE HER // For Discovering // $5 WRINKLE TRICK // From Home. Online banner ad, c. 2009

Praise for Pleasure & Efficacy

“A groundbreaking study of the idea of gender transition in the modern era. . . . By turns playful and polemical, Lavery unpacks complex theoretical texts with an efficacy that is as astonishing to behold as it is pleasurable to read: a bold affirmation of the trans condition.”

Members of The National Book Critics Circle Board

Praise for Pleasure & Efficacy

“a lifeline of intellect and warmth”

Rei Terada
Author of Metaracial: Hegel, Antiblackness, and Political Identity
Meg Harper (right) in Merce Cunningham’s RainForest (1968)
Audience members of Tool Time, Tim Allen’s show-­within-­a-­show in Home Improvement, laugh at the camera. Several are wearing red baseball caps.

Praise for Closures

“A stylish writer and wickedly perceptive critic… Closures is by far the best account of the sitcom.”

Joseph Litvak
Author of The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture